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T.S. Eliot( 1888-1965)
A poet, dramatist, literary critic, and modernist.
The “Classical” Modernist
Life
• He was born in Missouri on September 26, 1888. He lived in St. Louis during the first
eighteen years of his life and attended Harvard University. • In 1910, he left the United States for the Sorbonne, having earned both undergraduate and
masters degrees and having contributed several poems to the Harvard Advocate. • After a year in Paris, he returned to Harvard to pursue a doctorate in philosophy, but
returned to Europe and settled in England in 1914. • The following year, he married Vivienne Haigh-Wood and began working in London, first
as a teacher, and later for Lloyd's Bank. • It was in London that Eliot came under the influence of his contemporary Ezra Pound,
who recognized his poetic genius at once, and assisted in the publication of his work in a number of magazines. • In 1927 he became a British citizen .
• After a notoriously unhappy first marriage, Eliot separated from his first wife in 1933,
and was remarried, to Valerie Fletcher, in 1956. • • • • • • • • • • •
In 1948 he received the Nobel Prize for Literature. In 1965 he died in London. An American expatriate
Extremely well read and educated
Married all his life to a woman who went insane
Imported mythology from all over the world into his poetry. Felt poetry must become comprehensive
Sought to revive poetry that had become dead Looked to 17th-century metaphysical poets Has close ties to Romanticism
Really wants to revive classic aesthetic
Literary Career
• • • • • • • • • • • •
First period:
1915 The Love Song of J. Alfred Prufrock《普鲁弗洛克的情歌》 —the first masterpiece of modernism in English; 1917 Prufrock and Other Observations: First volume of poetry. Second period:
1922 The Waste Land《荒原》__Eliot’s erudite masterpiece on the theme of sterility and chaos of the contemporary world, an expression of the despair of the post-war era. 1925 The Hollow Man: the spiritual and emotional aridity of modern men.
1920 The Sacred Wood: a volume on literary criticism, a manifesto of modernist poetry. Third period: 1930 Ash Wednesday
1935-1943 Four Quartets《四个四重奏》
Literary criticism: Selected Essays 1932, The Uses of Poetry 1933, On Poetry and Poets
•
1957, etc.
1935-1958: verse plays: Murder in the Cathedral《大教堂谋杀案》Family Reunion 《合家团聚》The Cocktail Party《鸡尾酒会》
The Waste Land
433 lines, mainly free verse; It has been called “one of the most important poems of the 20th century.”
• Many quoted lines in German, French, Italian and references and allusions to English
writers as Spencer, Shakespeare, Middleton, Milton and Goldsmith with many explanatory notes;
• A landmark in English poetry, ending the Romantic period and signifying the emergence
of Modernism.
• Result of the poet’s long years of meditation and feeling.
• A picture of the spiritual ruins in Europe shortly after the end of WWI and expressed the
disillusionment of a generation of intellectuals.
• The Waste Land consists of five discontinuous segments, each composed of fragments
incorporating multiple voices and characters, literary and historical allusions, bits and pieces of contemporary life, myths and legends. • The central theme---desperation
• Although it gestured toward religious belief ,The Waste Land was not an affirmative
or religious poem; the desperate quest for regeneration in a cacophonous, desolate landscape remains unfulfilled.
Subtitles
The Burial of the Dead 死者葬礼A Game of Chess 对弈
The Fire Sermon 火诫 Death by Water 水里的死亡 What Thunder Said 雷霆的话
•
Writing Features
• • • • • • • • •
Techniques:
Stream of consciousness: Using concrete images to capture fleeting emotional experience; Symbols;
Conceits: images or comparison: far-fetched, shocking, paradoxical; Sudden and ironical contrast Major themes (pessimistic): Sordid aspects of modern city life;
The essential sickness and agony of the human soul. Style: Colloquial and everyday language
Literary position
“a classicist in art, a royalist in politics, and an Anglo-Catholic in religion.”
• One of the literary leaders and the most outstanding writers of the 20th century; • A leader of the modernist movement in English poetry • A great innovator of verse technique
• The Nobel Prize winner of 1948. The Order of Merit conferred upon him by the Crown in
1948
Awards & Recognitions
the Nobel Prize for Literature in 1948. the Order of Merit in January 1948.
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